Koryo Saram Update:10 Minute Trailer Available

The recent news of a South Korean astronaut/cosmonaut blasting off from Baikonur to the international space station had at least a couple of news outlets proclaiming a surge of national pride among Kazakhstan's ethnic Korean population.

And I've been waiting a long time for the public release of Koryo Saram, a documentary that "tells the harrowing saga of survival in the open steppe country and the sweep of Soviet history through the eyes of these deported Koreans [sent into exile to Kazakhstan], who were designated by Stalin as an "unreliable people" and enemies of the state."

It's just shown at Harvard, it won a "Best Documentary" award in Canada, and has been screened in several international cities and academic communities, but I've gotten no reply to two requests to be added to the mailing list for more information. Perhaps the "work in progress" is progressing slowly?

There's now a 10-minute trailer available on the film's website, and it's really worth a look. Negative, hopeful, nostalgic, clear-eyed; the film promises to be an important addition to an understanding of the multi-ethnic, multicultural, mixed-identity nation that is the reality of contemporary Kazakhstan.

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Koryo Saram: The Unreliable People
Directed by Y. David Chung & Matt Dibble
http://www.koryosaram.net/

Koryo Saram Premieres in Almaty, July 15 & 17

Browsing through old news items & links, I just saw that a Kazakhstan screening of the new documentary, Koryo Saram: The Unreliable People, is scheduled for next week, on July 15 (Sunday) and July 17 (Tuesday). This film traces the history of Koreans forcibly deported from coastal Far East Russia to the steppes of Kazakhstan in the 1930s & 1940s. It sounds fascinating, uncovering the history of one of the many hyphenated-Kazakhstani ethnicities. From the film's website comes this description:

Koryo Saram (the Soviet Korean phrase for Korean person) tells the harrowing saga of survival in the open steppe country and the sweep of Soviet history through the eyes of these deported Koreans, who were designated by Stalin as an "unreliable people" and enemies of the state. Through recently uncovered archival footage and new interviews, the film follows the deportees' history of integrating into the Soviet system while working under punishing conditions in Kazakhstan, a country which became a concentration camp of exiled people from throughout the Soviet Union.

A quick search hasn't come up with any more information, such as location or times. Anyone in Almaty who can find out (Gulnara? Leila??), please comment!

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Links:

Koryo Saram: The Unreliable People website

"Koryo-saram" article at Wikipedia

"Forced Deportation and Literary Imagination": an article exploring the effects of deportation to Kazakhstan on the Soviet Koreans, and how these experiences are realized in Soviet Korean literature.

Schizo: A Movie Review

I've finally figured out how to squeeze in time to watch movies, and have at last watched Schizo, the only Region 1, English-subtitled Kazakhstani film I know of (Nomad: The Warrior is scheduled for DVD release in July). I’ve had it around for over a year, but was somewhat hesitant to watch it because of the publicized “Fight Club” aspects (I don’t do blood well). So now I’ve seen it, and I’m glad I did. It’s sticking with me, and making me wonder and think -- and not about the bloody (icky) parts.

Basic plotline -- a 14-year-old boy in rural KZ gets kicked out of school and works for/with Saukura, his mother’s boyfriend, finding men to participate in bare-knuckle fights against trained boxers. One of the recruits gets mortally beaten, and with his dying breath asks Mustafa (called Schizo, as in schizophrenic, by himself and others) to take the advance money to his girlfriend and his son, who live at the edge of town. Schizo goes back to this house again and again, bringing gifts and money, advocates for the boy’s welfare, finds enjoyment in the woman’s company and eventually makes love for the first time with her. These three form an odd, tenuous sort of family, but with no cementing bond. Schizo gets deeper into the sordid doings of the fist-fight gang, gets double-crossed, and apparently gives himself up for the wellbeing of Zina and Sanzhik.

Yes, I got queasy at the fight scenes (full disclosure: I also can’t make it through a First Aid training film without hyperventilating and dizziness), but the majority of the violence (and all the sex) in Schizo is implied, off-screen. What we see is the aftermath, the emotions (or lack thereof). For me, Schizo remains an enigma. He’s the age of your average American 9th grader. What goes on in his head is a mystery. I read several other reviews stating that Schizo “falls in love” with Zina, but I’m not sure I entirely believe that. He is drawn to this odd couple, the sort-of-widow stuck with an orphaned child (hmm, does he see his mother in Zina, and himself in Sanzhik?) He does what he can do to make sure the boy is cared for. He sleeps with Zina -- “becoming a man.” There is something there for him that endures and sustains him. Sometimes that’s the best any life can offer.

What I do know is that for me, Schizo is a beautiful, haunting film. The landscape is both lush and barren. It’s set somewhere in the southeast steppe but away from the mountains, on a waterfront big enough for something that looks like a fishing industry (Lake Balkash?). The post-Soviet bleakness is apparent, and as the director, Guka Omarova, states in the interview extras, not too different from contemporary rural life and opportunities. The ethnic diversity of Kazakhstan is well portrayed, as are the inter-ethnic relationships - both Zina and Sakura are Russian, while Schizo and his mother Kulgash are Kazakh. I’d say that the description of Olga Landina (Zina), as a “Slavic Sissy Spacek,” is right on.

It’s very interesting to me that both Olzhas Nussuppaev (Schizo) and Kanagat Nurkay (Sanzhik) were “unknowns," “discovered” in orphanages. It’s interesting that the director went looking and held auditions in orphanages to begin with. In the interview extras, Nussuppaev seems only slightly more animated that he does in the film, with the same engaging crooked smile. Was he really only playing himself? I can only imagine the surreal aspects of going from Internat to Almaty to New York, with little-to-no life preparation for any of it. He says he hopes to act again. I hope he makes it.

The original US release plans included multiple cities across the country, but lackluster box office takes made them pull it after a few weeks. It’s a shame. It’s no worse and a lot better than many of the foreign ‘art films’ I’ve seen, and it might have found a following if marketed as such. I wouldn’t take anybody younger than 14 or 15 to see if, but whomever you see it with, I’d predict lots of questions and things to talk about afterward.

What others have written about Schizo:
New York Times
San Francisco Chronicle
ReelTalkMovie Reviews
Emanuel Levy

Manti, Kaz-Am Style

This was not exactly a new "Kazakh Cooking Experiment", but more of a repeat with slightly different variables. Like Tex-Mex cooking is basically Mexican, but varied and adapted by influences on the American side of the border, the manti I made tonight are basically Central Asian, but adapted to American ingredients and speed-of life.

• Instead of handmaking the dough, I used the biggest packaged wonton wrappers I could find (about 3” across);

• I halved the amount of meat -- only 1/2 lb of a medium-fat (not lean) coarsely ground beef (I can hear the wolves howling in despair already!)

• I wanted to make manti with pumpkin this time, but since it’s practically impossible to find fresh pumpkin when it’s not Halloween, I substituted a medium-sized butternut squash, cut into small dice. Mixed this with the meat and one large onion, also diced small, and salt & pepper.

The rest is the same. Place filling in the center of a wrapper, moisten the edges of the dough, fold over and pinch edges together. Steam for maybe 15 minutes, and serve. I did try greasing the steamer basket this time, but I don’t know that it made much difference -- they stick together if they don’t stick to the basket. Steaming fewer at a time would probably solve that, but it already takes 3 batches to get them all done.

Oh well. The don’t even look ‘authentic’, but this family of 3 devoured all 50 manti in one sitting; I’m counting it as a success. And the whole process was complete in just over an hour. A group assembly effort could probably get dinner ready and on the table in under an hour, making it possible to have manti any day of the week, not just on weekends.

Thanks are due to Kelly, a member of the Kazakhstan_Recipes Yahoo group for sharing this quick manti method.

Images of Kazakhstan

The Land is inside Me, a "creative documentary," is a montage of images from everyday Kazakhstan. From skiing in the Tien Shan mountains to worship at the Mausoleum of Khja Ahmed Yasavi in Turkestan, urban street singers and window cleaners to valenki-wearing horsemen herding sheep. The filmmaker, Jürg Da Vaz, is a Swiss artist who has made several other films in and about Kazakhstan. This one, from 2003, is just under 10 minutes long. Check out the mass manti (?) production at about 2:30 mins.

Last winter, Ben at neweurasia.net posted an artist's view, a profile of Da Vaz and commentary on one of his longer films on Kazkhstan, Born to Move: Kazakhstan Unlimited. YouTube fans won't find these through casual surfing; Da Vaz has uploaded his films only to GoogleVideo and his own website.